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COSMIC DISCLOSURE: THE GREAT SOLAR FLASH - Posted 10 Feb 2017
COSMIC DISCLOSURE: THE GREAT SOLAR FLASH - Posted 10 Feb 2017
Corey Goode, Jay Weidner, David Wilcock talk about the Great Solar Flash
COSMIC DISCLOSURE: THE GREAT SOLAR FLASH
Posted 10 Feb 2017
[excerpts]
David: What do you think the message of “2001” was? What were they trying to tell us in that movie?
Jay: That we are on the edge of a great transformation – the human race is. And that we are faced with kind of a Hobson's choice, where we can go down the AI thing with Hal and have AI run our lives, or we can rebel against the AI, cut it short like the astronaut Bowman does in the movie, and then physically, organically ascend – ascend like he does, by going through the stargate.
So the aliens, whoever the high intelligence is, are trying to initiate humanity, and he's the first one through the gate.
David: So, Jay, when the original obelisk shows up, a lot of people are confused by “2001” at the beginning. They say, “What the hell? There's 15 minutes of monkeys running around, screaming.”
Jay: Right. Yes.
David: And then this obelisk shows up, and the first thing that happens when one of the monkeys touches it is he becomes aggressive.
Jay: Yes. He learns how to kill and eat meat. They're eating veggies before, plants, but after the encounter with the monolith, they turn into meat eaters.
And clearly, the next shot is a guy eating raw meat.
And then the first killing, the first murder, happens over the waterhole.
And, again, Kubrick is telling us that transformations are messy. They can be very messy, and that violence can come from transformation, especially if they're not ready, and the first murder happened.
And then, of course, Bowman kills Hal at the end, near the end of the movie, before his transformation.
And then Hal, the AI computer, murders all the astronauts. So the whole thing is about Hal is trying to stop them from becoming enlightened, because he's reaching his own form of sentience.
And in the beginning, the monkeys were headed for extinction, for sure . . .
David: Okay.
Jay: . . . because they're hiding at night from the wild animals, and the monolith intervenes to bring about the first wave of enlightenment.
David: Why do you think that the bone that the monkey uses as the weapon to kill gets thrown up in the air, and then it turns into the Odyssey?
Jay: Yeah, because he was trying to . . . He was saying that all of human history that happened between the time of that first transformation and the time of the next transformation, which is the next part of the film, all of that is useless and pointless.
All of that history, all of that is pointless.
The only thing that matters is this transformation of the human race.
That's all he cares about. He doesn't care about anything that happened in between, because none of it's important.
The only thing that's important is this transformation by the monolith to create a new human.
[.......]
David: So what do you think that blowing fire out of the lion's mouth represents?
Jay: That's alchemy. The lion is gold. He represents gold or god. And it's very representational of the alchemical experiment and how it works.
So every time you see a lion, you're talking about god or gold, the king, the royal, the top. Right?
David: Do you think that it could also be a solar flash, like some sort of solar event they're representing?
Jay: I do. Absolutely. One of the things I discovered when I was in this Freemasonic library was that the very, very basis of Freemasonry, when it started, whenever it started – and they're obtuse about when it started – but was for a father to son hand-me-down of knowledge about a great solar flare that actually ended the Younger Dryas in about 11,000 BC.
So there were two disasters. There was a disaster that happened 13,000 years ago that brought on the Super Ice Age. And then 2,000 years later, something happened that ended the ice age immediately and caused amazing amounts of flooding. All right?
And Robert Schoch, Boston University geologist, his last book that he put out, he says that it was a gigantic solar flash, that there's evidence all over the planet for this.
David: Corey, does this solar flash appear to be a basic part of celestial mechanics, regardless of what solar system you're in?
Corey: Yes. And it has to do with not only where our star is traveling through the galaxy, but our star's connection through the cosmic web to other stars.
There could be feedback of energy through this cosmic web, through our star, which emanates.
David: So, Jay, what he was just saying about this interconnectedness between stars, does that mirror anything in your research?
Jay: Yeah. The Hendaye Cross has the angry Sun, which is symbolic of the flash, and then on the block, or the pedestal on the other side, is an eight-pointed star. And it's like the Central Sun of the universe that controls all the stars of everywhere.
And when it burps, everything else sneezes. And it's very clear. Fulcanelli, the alchemist, is very clear that that's what's going on here, that they're all connected.
But there's another thing I want to talk about, which is what this . . . what I think this flash is in a physical way. And that is that the equator of the Sun rotates every 26 days, while the north and south hemispheres rotate every 37 days.
And what happens is the bottom of the Sun goes this way (counterclockwise), and the top of the Sun goes this way (clockwise), and you create torsion shear, it's called. And after a while, this builds up. It starts crossing each other and building up, and it takes about 25,000 or so years for this to just completely . . . and we're at that place right now.
[.......]
David: So Jay, what do you think the alchemical tradition, this idea of turning into gold, how does that relate to what we're seeing here?
Jay: Well, I think that the human race . . . Again, go back to “2001: A Space Odyssey”. The human race has a point. There is a purpose to this whole thing.
And what that full purpose is, I'm not sure totally, but I think I have a fairly good grasp on it. And that is to turn us into ascended beings. We are essentially electrical beings.
And when we turn into gold metaphorically, that means that the electricity that's in our body is able to flow without any resistance. That IS ascension. That IS what happens.
David: Well, we're going to do another episode on this . . .
Jay: Okay.
David: . . . because we've got a lot more of this material to go through. And this, to me – I think Jay, you'll agree with me, and I think, Corey, you'll agree with me . . . What we're talking about right now, this great solar flash, this is really the core of everything.
If this event is really going to happen, what could possibly be more important for us to be talking about?
Jay: Absolutely. Yeah.
Corey: Or to prepare for.
Jay: Exactly. It's the most important thing there is, because it's going to alter all life on this planet.
COSMIC DISCLOSURE: THE GREAT SOLAR FLASH - Posted 10 Feb 2017
Corey Goode, Jay Weidner, David Wilcock talk about the Great Solar Flash
COSMIC DISCLOSURE: THE GREAT SOLAR FLASH
Posted 10 Feb 2017
[excerpts]
David: What do you think the message of “2001” was? What were they trying to tell us in that movie?
Jay: That we are on the edge of a great transformation – the human race is. And that we are faced with kind of a Hobson's choice, where we can go down the AI thing with Hal and have AI run our lives, or we can rebel against the AI, cut it short like the astronaut Bowman does in the movie, and then physically, organically ascend – ascend like he does, by going through the stargate.
So the aliens, whoever the high intelligence is, are trying to initiate humanity, and he's the first one through the gate.
David: So, Jay, when the original obelisk shows up, a lot of people are confused by “2001” at the beginning. They say, “What the hell? There's 15 minutes of monkeys running around, screaming.”
Jay: Right. Yes.
David: And then this obelisk shows up, and the first thing that happens when one of the monkeys touches it is he becomes aggressive.
Jay: Yes. He learns how to kill and eat meat. They're eating veggies before, plants, but after the encounter with the monolith, they turn into meat eaters.
And clearly, the next shot is a guy eating raw meat.
And then the first killing, the first murder, happens over the waterhole.
And, again, Kubrick is telling us that transformations are messy. They can be very messy, and that violence can come from transformation, especially if they're not ready, and the first murder happened.
And then, of course, Bowman kills Hal at the end, near the end of the movie, before his transformation.
And then Hal, the AI computer, murders all the astronauts. So the whole thing is about Hal is trying to stop them from becoming enlightened, because he's reaching his own form of sentience.
And in the beginning, the monkeys were headed for extinction, for sure . . .
David: Okay.
Jay: . . . because they're hiding at night from the wild animals, and the monolith intervenes to bring about the first wave of enlightenment.
David: Why do you think that the bone that the monkey uses as the weapon to kill gets thrown up in the air, and then it turns into the Odyssey?
Jay: Yeah, because he was trying to . . . He was saying that all of human history that happened between the time of that first transformation and the time of the next transformation, which is the next part of the film, all of that is useless and pointless.
All of that history, all of that is pointless.
The only thing that matters is this transformation of the human race.
That's all he cares about. He doesn't care about anything that happened in between, because none of it's important.
The only thing that's important is this transformation by the monolith to create a new human.
[.......]
David: So what do you think that blowing fire out of the lion's mouth represents?
Jay: That's alchemy. The lion is gold. He represents gold or god. And it's very representational of the alchemical experiment and how it works.
So every time you see a lion, you're talking about god or gold, the king, the royal, the top. Right?
David: Do you think that it could also be a solar flash, like some sort of solar event they're representing?
Jay: I do. Absolutely. One of the things I discovered when I was in this Freemasonic library was that the very, very basis of Freemasonry, when it started, whenever it started – and they're obtuse about when it started – but was for a father to son hand-me-down of knowledge about a great solar flare that actually ended the Younger Dryas in about 11,000 BC.
So there were two disasters. There was a disaster that happened 13,000 years ago that brought on the Super Ice Age. And then 2,000 years later, something happened that ended the ice age immediately and caused amazing amounts of flooding. All right?
And Robert Schoch, Boston University geologist, his last book that he put out, he says that it was a gigantic solar flash, that there's evidence all over the planet for this.
David: Corey, does this solar flash appear to be a basic part of celestial mechanics, regardless of what solar system you're in?
Corey: Yes. And it has to do with not only where our star is traveling through the galaxy, but our star's connection through the cosmic web to other stars.
There could be feedback of energy through this cosmic web, through our star, which emanates.
David: So, Jay, what he was just saying about this interconnectedness between stars, does that mirror anything in your research?
Jay: Yeah. The Hendaye Cross has the angry Sun, which is symbolic of the flash, and then on the block, or the pedestal on the other side, is an eight-pointed star. And it's like the Central Sun of the universe that controls all the stars of everywhere.
And when it burps, everything else sneezes. And it's very clear. Fulcanelli, the alchemist, is very clear that that's what's going on here, that they're all connected.
But there's another thing I want to talk about, which is what this . . . what I think this flash is in a physical way. And that is that the equator of the Sun rotates every 26 days, while the north and south hemispheres rotate every 37 days.
And what happens is the bottom of the Sun goes this way (counterclockwise), and the top of the Sun goes this way (clockwise), and you create torsion shear, it's called. And after a while, this builds up. It starts crossing each other and building up, and it takes about 25,000 or so years for this to just completely . . . and we're at that place right now.
[.......]
David: So Jay, what do you think the alchemical tradition, this idea of turning into gold, how does that relate to what we're seeing here?
Jay: Well, I think that the human race . . . Again, go back to “2001: A Space Odyssey”. The human race has a point. There is a purpose to this whole thing.
And what that full purpose is, I'm not sure totally, but I think I have a fairly good grasp on it. And that is to turn us into ascended beings. We are essentially electrical beings.
And when we turn into gold metaphorically, that means that the electricity that's in our body is able to flow without any resistance. That IS ascension. That IS what happens.
David: Well, we're going to do another episode on this . . .
Jay: Okay.
David: . . . because we've got a lot more of this material to go through. And this, to me – I think Jay, you'll agree with me, and I think, Corey, you'll agree with me . . . What we're talking about right now, this great solar flash, this is really the core of everything.
If this event is really going to happen, what could possibly be more important for us to be talking about?
Jay: Absolutely. Yeah.
Corey: Or to prepare for.
Jay: Exactly. It's the most important thing there is, because it's going to alter all life on this planet.
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